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The tensor tympani is meant to pull the tympanic membrane inward, increasing tension of the tympanic membrane. It's like a calming mechanism that's in place in order to stabilize volume and respond to noise fluctuations, that also provides inner ear protection from loud sounds. It also helps ventilate the inner ear through the Eustachian Tube.
In many people with hyperacusis, an increased activity develops in the tensor tympani muscle in the middle ear as part of the startle response to some sounds. This lowered reflex threshold for tensor tympani contraction is activated by the perception/anticipation of loud sound, and is called tonic tensor tympani syndrome (TTTS). In some people ...
Watch doctors discover the tiny arachnid — if you dare.
Whilst hearing loss is a common symptom in many diseases of the ear, for example in otosclerosis (abnormal bone growth in the ear), [3] the white, chalky patches on the tympanic membrane are fairly characteristic of tympanosclerosis. Cholesteatoma is similar in appearance but the whiteness is behind the tympanic membrane, rather than inside.
Insects found in a person’s ear are rare. Past research stated insects account for 14% to 18% of foreign objects found in the ear canal.
The acoustic reflex (also known as the stapedius reflex, [1] stapedial reflex, [2] auditory reflex, [3] middle-ear-muscle reflex (MEM reflex, MEMR), [4] attenuation reflex, [5] cochleostapedial reflex [6] or intra-aural reflex [6]) is an involuntary muscle contraction that occurs in the middle ear in response to loud sound stimuli or when the person starts to vocalize.
The petrotympanic fissure opens just above and in front of the ring of bone into which the tympanic membrane is inserted; in this situation it is a mere slit about 2 mm. in length. It lodges the anterior process and anterior ligament of the malleus , and gives passage to the anterior tympanic branch of the internal maxillary artery .
Timpani produce inharmonic overtones, but are constructed and tuned to produce near-harmonic overtones to an implied missing fundamental. Hit in the usual way (half to three-quarters the distance from the center to the rim), the fundamental note of a timpani is very weak in relation to its second through fifth "harmonic" overtones. [18]