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A list of science fiction films released in the 1950s. These films include core elements of science fiction, but can cross into other genres. They have been released to a cinema audience by the commercial film industry and are widely distributed with reviews by reputable critics. This period is sometimes described as the 'classic' or 'golden ...
Lost Continent is a 1951 American black-and-white science fiction film drama from Lippert Pictures, produced by Jack Leewood, Robert L. Lippert, and Sigmund Neufeld, directed by Sam Newfield (Sigmund Neufeld's brother), that stars Cesar Romero, Hillary Brooke, Whit Bissell, [1] Sid Melton, Hugh Beaumont and John Hoyt.
W. Lee Wilder formed a film production company in the early 1950s called Planet Filmplays for the purpose of producing and directing "quickie" low-budget science fiction films, with screenplays co-written with his son Miles. [citation needed] Phantom from Space uses stock footage of radar rigs.
Weather radar in Norman, Oklahoma with rainshaft Weather (WF44) radar dish University of Oklahoma OU-PRIME C-band, polarimetric, weather radar during construction. Weather radar, also called weather surveillance radar (WSR) and Doppler weather radar, is a type of radar used to locate precipitation, calculate its motion, and estimate its type (rain, snow, hail etc.).
Critical response was generally positive, with many critics noting the story's basis in science fact, rather than science fiction; this was a staple of Tors' science fiction films. [ citation needed ] His 1955 television series Science Fiction Theatre had the same period verisimilitude, and often lifted props and some situations from Gog and ...
Science writer, science fiction novelist, and early space enthusiast Arthur C. Clarke wrote: "[T]his [is a] remarkable exciting and often very beautiful film, the first Technicolor expedition into space. After years of comic strip treatment of interplanetary travel, Hollywood has at last made a serious and scientifically accurate film on the ...
Films of the 1950s were of a wide variety. As a result of the introduction of television, the studios and companies sought to put audiences back in theaters. They used more techniques in presenting their films through widescreen and big-approach methods, such as Cinemascope, VistaVision, and Cinerama, as well as gimmicks like 3-D film.
The Giant Behemoth (originally titled Behemoth the Sea Monster) is a 1959 British-American monster film directed by Eugène Lourié, with special effects by Willis H. O'Brien, Pete Peterson, Irving Block, Jack Rabin, and Louis de Witt.