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Andy Cohen did food-themed aesthetics before food-themed aesthetics were cool. In his powder room, the wall is wrapped in Flavor Paper’s Cherry Forever mylar wallpaper. Douglas Friedman.
The creepypasta showed an image exemplifying a liminal space—a hallway with yellow carpets and wallpaper—with a caption purporting that by "noclipping out of bounds in real life", one may enter the Backrooms, an empty wasteland of corridors with nothing but "the stink of old moist carpet, the madness of mono-yellow, the endless background ...
Her style is reminiscent of the Nancy Meyers aesthetic, with plenty of historic details, warm accents, and intentional clutter. Her bright and airy bedroom is painted in a gorgeous gray-green ...
Bliss, originally titled Bucolic Green Hills, is the default wallpaper of Microsoft's Windows XP operating system. It is a photograph of a green rolling hills and daytime sky with cirrus clouds . Charles O'Rear , a former National Geographic photographer, took the photo in January 1998 near the Napa – Sonoma county line, California, after a ...
Patterned rugs aren’t for everyone, and if your room is full of prints already (whether in wallpaper, upholstery, or artwork), stagnant blocks of color can add vibrancy without overwhelming the ...
The dark blue, teal, and gold tapetum lucidum from the eye of a cow Retina of a mongrel dog with strong tapetal reflex. The tapetum lucidum (Latin for 'bright tapestry, coverlet'; / t ə ˈ p iː t əm ˈ l uː s ɪ d əm / tə-PEE-təm LOO-sih-dəm; pl.: tapeta lucida) [1] is a layer of tissue in the eye of many vertebrates and some other animals.
Illustration of the distribution of cone cells in the fovea of an individual with normal color vision (left), and a color blind (protanopic) retina. Note that the center of the fovea holds very few blue-sensitive cones. Distribution of rods and cones along a line passing through the fovea and the blind spot of a human eye [11]
Postmodernism: Style and Subversion 1970 –1990 was an exhibition at the Victoria and Albert Museum (V&A) in London, from 24 September 2011 to 15 January 2012.It was billed as "the first in-depth survey of art, design and architecture of the 1970s and 1980s", [1] curated by Glenn Adamson and Jane Pavitt.