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Roland also makes acoustic drum triggers, which can be mounted on the rims of standard acoustic drums to provide trigger signals from those drums, effectively turning them into trigger pads. The acoustic drumhead can either be left on the drum, to get the acoustic sound as well as a trigger signal, or the drumhead can be replaced with a mesh ...
The Roland DDR-30 has 6-voices: a bass, a snare, and four toms. Each voice has four 12-bit PCM digital sampled sounds. [1] These sounds can be modified by 16 parameters, saved as drum patch presets, and combined into drum kits. The parameters are combined into edit groups, including Attack, Decay, Pitch, EQ, Bend, and Gate. [6]
The new generation of drum triggers gives the possibility to install triggers inside the drum shell and not only from the outside; this allows any acoustic drum to be converted into an electronic drum. A trigger for converting an acoustic drum to an electronic one is called a UFO plate and can be obtained in a variety of sizes and also as a ...
"Drum machines" were introduced in the 1980s as an accompaniment device, essentially, an "artificial drummer". In contrast, an electronic drum module is designed to be an integral part of an electronic drum kit—an interactively playable device, played (usually live) by an actual drummer as part of his or her electronic drum kit.
The newly designed kit employed mesh heads - the first in the Simmons line to do so - which were tensioned with a standard drum key. The pre-programmed sound bank included classic acoustic kit samples, sounds pulled from vintage Simmons kits such as the SDS-5, as well as world percussion and effect sounds (e.g. handclaps, cowbell, etc.).
The electronic drum (pad/triggering device) is usually sold as part of an electronic drum kit, consisting of a set of drum pads mounted on a stand or rack in a configuration similar to that of an acoustic drum kit layout, with rubberized (Roland, Yamaha, Alesis, for example) or specialized acoustic/electronic cymbals (e.g. Zildjian's "Gen 16 ...