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We Were Soldiers is a 2002 American war film written and directed by Randall Wallace and starring Mel Gibson. Based on the book We Were Soldiers Once… and Young (1992) by Lieutenant General (Ret.) Hal Moore and reporter Joseph L. Galloway , it dramatizes the Battle of Ia Drang on November 14, 1965.
General H. Norman Schwarzkopf said, "We Were Soldiers Once...and Young is a great book of military history, written the way military history should be written." [ 7 ] Since at least 1993, the book has been on the Marine Corps Commandant's Reading List for Career Level Enlisted.
2015: "When We Were Soldiers ... once and young" The fourth installation was assembled at the Brooklyn Navy Yard Hospital in New York. [8] [15] The hospital had been used to treat soldiers starting from the Civil War to the end of World War II. [13] [17] [14] The installation is based on the 1992 book about the Vietnam War titled "We Were ...
Just after midnight in the new hours of Dec. 9, 1944, New Yorkers saw the British ship Monarch slip silently out of the harbor, carrying members of the US Army’s 125th Evacuation Hospital on ...
New Patient Short film 2000 Teacher's Pet: Sam Deckner Traffic: Pablo Obregón 2001 The Quickie: Miguel 2002 L.A.X. Jorge Colon Collateral Damage: Roman We Were Soldiers: Captain Tony Nadal 2003 Klepto: Nick Video 2004 Along Came Polly: Javier After the Past: Back by Midnight: Carlos 2005 Sueño: Rafael The Lost City: Ernesto "Che" Guevarra ...
"Sgt. MacKenzie" is a lament written and sung by Joseph Kilna MacKenzie (1955-2009), [1] in memory of his great-grandfather who was killed in combat during World War I. It has been used in the 2002 movie We Were Soldiers and the ending scene of the 2012 film End of Watch.
Wallace is the New York Times bestselling author of seven novels and the lyricist of the hymn "Mansions of the Lord", originally written for We Were Soldiers and performed as the recessional for President Ronald Reagan's national funeral. [7] In 2008, Wallace wrote several songs with singer/songwriter Richard Marx.
[4] On Metacritic, the film has a weighted average score of 53 out of 100, based on 25 critics, indicating "mixed or average reviews". [5] Laura Kern of The New York Times noted the film "has little interest in making bold pro- or antiwar proclamations. With a smooth, light touch (though not without bumps and awkward moments) it focuses instead ...