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The New Gulliver (Russian: Новый Гулливер, Novyy Gullivyer) is a Soviet stop motion-animated cartoon, and the first to make such extensive use of puppet animation, running almost all the way through the film (it begins and ends with short live-action sequences).
Gulliver's Travels opened to $6.3 million for its opening weekend, landing at #8 in the US; this ranks it as the 84th worst opening for a film with a wide release tracked by Box Office Mojo. The film grossed $42.8 million in the US and Canada and $194.6 million in other territories, for a worldwide total of $237.4 million against a production ...
5 languages. العربية ... Pages in category "Films based on Gulliver's Travels" The following 10 pages are in this category, out of 10 total.
1 language. العربية; Edit links ... Pages in category "Animated films based on Gulliver's Travels" The following 5 pages are in this category, out of 5 total.
Jonathan Swift’s classic satirical adventure ‘Gulliver’s Travels’ is getting a contemporary reimagining for the small screen. Emmy and BAFTA-winning writer Tom Bidwell (“Watership Down ...
Gulliver's Travels is a 1939 American animated musical fantasy film produced by Max Fleischer and directed by Dave Fleischer for Fleischer Studios. [3] Released to cinemas in the United States on December 22, 1939, [4] by Paramount Pictures, the story is a very loose adaptation of Jonathan Swift's 1726 novel of the same name, specifically only the first part of four, which tells the story of ...
The story, a Communist re-telling of Gulliver's Travels, is about a young boy who dreams of himself as a version of Gulliver who has landed in Lilliput suffering under capitalist inequality and exploitation. The New Gulliver was released in 1935 to widespread acclaim and earned Ptushko a special prize at the International Cinema Festival in Milan.
Gulliver's Travels, originally Travels into Several Remote Nations of the World.In Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships is a 1726 prose satire [1] [2] by the Anglo-Irish writer and clergyman Jonathan Swift, satirising both human nature and the "travellers' tales" literary subgenre.