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It can denote not only a cloak, but also a foot-length sleeveless dress with straps (or a brooch) worn directly on the skin. The second is a common dress form in the entire Mediterranean world. In a Greek cultural context, this is called peplos. In a Roman cultural context, if worn by a Roman matron, it also takes the name stola.
An abolla was a cloak-like garment worn by ancient Greeks and Romans. Nonius Marcellus quotes a passage of Varro to show that it was a garment worn by soldiers (vestis militaris), and thus opposed to the toga. Roman women also wore a version of the abolla by at least the imperial period. [1]
Her face was concealed from the public, male gaze with a veil; her palla could also serve as a hooded cloak. [20] [21] Two ancient literary sources mention use of a coloured strip or edging (a limbus) on a woman's "mantle", or on the hem of their tunic; probably a mark of their high status, and presumably purple. [22]
Palla (garment) a long rectangular piece of cloth, folded in half lengthwise and used as a cloak by Roman women. Chitons; Loincloths; Togas a very long length of woolen fabric that Romans wrapped around themselves, draping it over the left shoulder and arm and leaving the right arm free. Himation an ancient Greek garment similar to the Roman toga.
The coronation mantle is a semi-circular, open cloak that reaches down to the ground. It was worn on both shoulders in the manner of a choir robe. It is 342 centimetres wide, made of red silk dyed with Indian redwood and kermes, the so-called samite , and is richly embroidered with gold threads, over 100,000 pearls and enamel plates .
Technically, the term describes a long, loose cape-like cloak worn from the 12th to the 16th century by both sexes, although by the 19th century, it was used to describe any loose-fitting, shaped outer garment similar to a cape. For example, the dolman, a 19th-century cape-like woman's garment with partial sleeves is often described as a mantle.
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Roman clothing took on symbolic meaning for later generations. Roman armour, particularly the muscle cuirass, has symbolized amazing power. In Europe during the Renaissance (15th and 16th centuries AD), painters and sculptors sometimes depicted rulers wearing pseudo-Roman military attire, including the cuirass, military cloak, and sandals.