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A granny square worked in two colors and seven rounds. Cotton, four-millimetre (0.16 in) crochet hook. A granny square is a piece of square fabric produced in crochet by working in rounds from the center outward. Granny squares are traditionally handmade as crochet and cannot be manufactured by machine. They resemble coarse lace.
It involved knotting excess thread along the edges of hand-loomed fabrics such as towels, shawls, and veils into decorative fringes. The word macramé could be derived from the Andalusian-Arabic version makramīya (مكرمية), believed to mean "striped towel", "ornamental fringe" or "embroidered veil". [1]
Crochet hooks used for Tunisian crochet are elongated and have a stopper at the end of the handle, while double-ended crochet hooks have a hook on both ends of the handle. Tunisian crochet hooks are shaped without a fat thumb grip and thus can hold many loops on the hook at a time without stretching some to different heights than others (Solovan).
Gauge, known in the UK as tension, is a measurement of how many stitches and rows are produced per inch or per cm on a specified size of knitting needle or crochet hook. The proposed standardization uses a four-by-four inch/ten-by-ten cm knitted stockinette or single crocheted square, with the resultant number of stitches across and rows high ...
These included embroidered Western shirts, velvet sports coats, Royal Stewart tartan as worn by the Bay City Rollers, red or blue shawl collar tuxedo jackets, frilly shirts, high necked nehru jackets, synthetic fabrics like satin, wide kipper ties, black or tan leather jackets, silk scarfs or ascots, shawl collar sweaters, satin shirts with ...
Desirable items included suede cowboy boots and winklepickers, stone grey suits with Teddy Boy inspired velvet shawl collars, [230] retro black and red sneakers, Chelsea boots with contrasting red and blue elastic, striped dress shirts, sailor T shirts with vertical navy blue stripes, tropical print shirts, [231] navy and red track jackets, two ...
After the Second World War, fabrics like nylon, corfam, orlon, terylene, lurex and spandex were promoted as cheap, easy to dry, and wrinkle-free. The synthetic fabrics of the 1960s allowed space age fashion designers such as the late Pierre Cardin to design garments with bold shapes and a plastic texture. [ 22 ]
Elizabeth II wearing a headscarf with Ronald Reagan, 1982. Headscarves may be worn for a variety of purposes, such as protection of the head or hair from rain, wind, dirt, cold, warmth, for sanitation, for fashion, recognition or social distinction; with religious significance, to hide baldness, out of modesty, or other forms of social convention. [2]