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It belongs to the oldest building phase of the city of Persepolis, in the first half of the 6th century BC, as part of the original design by Darius the Great. Its construction was completed by Xerxes I. Modern scholarship "demonstrates the metaphorical nature of the Apadana reliefs as idealised social orders". [1]
The Palace of Darius in Susa was a palace complex that was built at the site of Susa, Iran, during the reign of Darius I over the Achaemenid Empire. The construction was conducted parallel to that of Persepolis. Manpower and raw materials from various parts of the Achaemenid Empire contributed to its construction.
Xerxes' father was Darius the Great (r. 522–486 BC), the incumbent monarch of the Achaemenid Empire, albeit himself not a member of the family of Cyrus the Great, the founder of the empire. [7] [8] Xerxes' mother was Atossa, a daughter of Cyrus. [9] Darius and Atossa married in 522 BC, [10] and Xerxes was born around 518 BC. [11]
Ctesias assumes that it was the custom for a king to prepare his own tomb during his lifetime. Hence, the kings buried at Naghsh-e Rostam are probably Darius I, Xerxes I, Artaxerxes I and Darius II. Xerxes II, who reigned for a very short time, could scarcely have obtained so splendid a monument, and still less could the usurper Sogdianus.
[2] [3] Darius could also be simply listening to a messenger. [4] Xerxes I, still a Prince, is said to be represented, second from right. The scene of the audience given by an Achaemenid ruler seems to have been quite conventional, and also appears in a similar fashion in the frieze on the tomb of Lycian ruler Arbinas. [4]
Achaemenid architecture includes all architectural achievements of the Achaemenid Persians manifesting in construction of spectacular cities used for governance and inhabitation (Persepolis, Susa, Ecbatana), temples made for worship and social gatherings (such as Zoroastrian temples), and mausoleums erected in honor of fallen kings (such as the burial tomb of Cyrus the Great).
The second Persian invasion of Greece (480–479 BC) occurred during the Greco-Persian Wars, as King Xerxes I of Persia sought to conquer all of Greece. The invasion was a direct, if delayed, response to the defeat of the first Persian invasion of Greece (492–490 BC) at the Battle of Marathon, which ended Darius I's attempts to subjugate Greece.
In The Persians, Xerxes invites the gods' enmity for his hubristic expedition against Greece in 480/79 BC; the focus of the drama is the defeat of Xerxes' navy at Salamis. Given Aeschylus' propensity for writing connected trilogies, the theme of divine retribution may connect the three. Aeschylus himself had fought the Persians at Marathon (490 ...