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Gothic rock (also called goth rock or simply goth) is a style of rock music that emerged from post-punk in the United Kingdom in the late 1970s. The first post-punk bands which shifted toward dark music with gothic overtones include Siouxsie and the Banshees , [ 2 ] [ 3 ] Joy Division , [ 2 ] [ 3 ] [ 4 ] Bauhaus , [ 2 ] [ 3 ] and The Cure .
Gothabilly (sometimes hellbilly [1]) is music genre influenced by rockabilly and the goth subculture.The name is a portmanteau word that combines gothic and rockabilly, first used by the Cramps in the late 1970s to describe their somber blend of rockabilly and punk rock.
Initially, drum machines were not a regular part of the shoegazing genre but a basic component of new wave, post-punk, and gothic rock music. [51] In contrast to shoegazing, ethereal wave usually features a traditional early 1980s post-punk and gothic rock signature, [ 99 ] devoid of any influences of the simultaneously existing noise pop movement.
Pages in category "Gothic music genres" The following 8 pages are in this category, out of 8 total. This list may not reflect recent changes. C. Cold wave (music)
A woman dressed in gothic style in June 2008. Goth is a subculture that began in the United Kingdom during the early 1980s. It was developed by fans of gothic rock, an offshoot of the post-punk music genre.
Gothic metal band Tristania. The music of gothic metal is generally characterised by its dark atmospheres. [5] The adjective "dark" is commonly used to describe gothic music in general while other terms that are less frequently used include deep, romantic, passionate and intense. [6]
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. [1] Genre is to be distinguished from musical form and musical style, although in practice these terms are sometimes used interchangeably.
The psychology of music, or music psychology, is a branch of psychology, cognitive science, neuroscience, and/or musicology. It aims to explain and understand musical behaviour and experience , including the processes through which music is perceived, created, responded to, and incorporated into everyday life.