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The AR-mount lenses may be divided into several types, based mostly on cosmetics. When the Autoreflex T was introduced in 1967, Konica added a lever to signal the widest aperture setting for the through-the-lens (TTL) in-body light meter; Konica also offered a free service to retrofit the earliest AR-mount lenses with the new lever.
The A3 camera consists of dual CCDs with two 300mm lenses mounted on a special motor controlled axis that is attached to the frame, a fast compression and storage unit, and a dual frequency GPS. During flight, sequences of frames are exposed in a cross-track direction at a very high speed, providing a FOV of up to 106 degrees. High resolution ...
A data back, Dial Data MX, and a bulk film back were also produced, as were motorised winders Winder MX (2 frame/s) and Motor MX (5 frame/s). Like all post- 42mm screwmount Pentax cameras, the MX accepts all K-mount lenses (with the exception of the newer FA-J and DA lenses without aperture rings).
What set these cameras apart from earlier Pentax ones was the replacement of the M42 "universal" screw-lens mount with a proprietary bayonet mount system, known as the K mount. Still the basis for Pentax lenses and cameras today, the K mount offered greater convenience and enabled the production of faster lenses such as the 50 mm f /1.2. [17]
The AE-1 has a Canon FD breech-lock lens mount and accepts any FD or New FD (FDn) lens. It is not compatible with Canon's later Canon EF lens mount, though adapters made by independent manufacturers can be found. The camera will also accept Canon's earlier FL-mount lenses through the use of stop-down metering. [4]
The Frame TV’s Art Mode is genius — it turns a black box into a masterpiece. You can buy individual selections from a Samsung art store or subscribe to a library with more than 1,400 pieces ...