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A number of ceramists are experimenting with Egyptian faience, [34] though some of the compositions bear only a passing resemblance to the original Egyptian formulae. There has also been a recent interest in the use of Egyptian faience in 3-d printing technology. [35] It may be possible to fire faience-like materials in a microwave. [35]
An important classification system for Egyptian pottery is the Vienna system, which was developed by Dorothea Arnold, Manfred Bietak, Janine Bourriau, Helen and Jean Jacquet, and Hans-Åke Nordström at a meeting in Vienna in 1980. Seriation of Egyptian pottery has proven useful for the relative chronology of ancient Egypt.
Related to glass insofar as it attains a "vitreous" appearance, Egyptian faience was, according to David F. Grose, "a material made from powdered quartz covered with a true vitreous coating." Significantly more porous and malleable than glass proper, faience could be shaped by hand or cast in molds to create vessels or other objects. [4]
The alkali of Syrian and Egyptian glass was soda ash (sodium carbonate), which can be extracted from the ashes of many plants, notably halophile seashore plants like saltwort. The latest vessels were 'core-formed', produced by winding a ductile rope of glass around a shaped core of sand and clay over a metal rod, then fusing it by reheating it ...
Egyptian faience pottery (as opposed to modern faience) was made from fired earthenware colored with a glaze. The art style was popular in the Third Intermediate Period (c. 1069 BC – c. 664 BC) of Egyptian history. Blue-green, the most popular color used on the earthenware, was achieved through the use of a quartz and calcite lime-based glaze ...
Modern bowl in a traditional pattern, made in Faenza, Italy, which gave its name to the type Sophisticated Rococo Niderviller faience, by a French factory that also made porcelain, 1760–65. Faience or faïence (/ f aɪ ˈ ɑː n s, f eɪ ˈ-,-ˈ ɒ̃ s /; French: ⓘ) is the general English language term for fine tin-glazed pottery.