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Earthborn (1995) is a science fiction book by American writer Orson Scott Card, the concluding fifth book of the Homecoming Saga. The series is a fictionalization of the first few hundred years recorded in the Book of Mormon .
Music Written for Monterey 1965 (subtitled Not Heard... Played in its Entirety, at UCLA) is a live album by the American bassist, composer and bandleader Charles Mingus, recorded at Royce Hall in Los Angeles and released on Mingus's own Jazz Workshop label in 1966. [1] The album was rereleased by Sue Mingus on the Sunnyside label in 2006.
"Duke Ellington Medley: Mood Indigo" (Ellington) - 0:59 "Duke Ellington Medley: Sophisticated Lady" (Ellington) - 1:46 "Duke Ellington Medley: A Train" (Billy Strayhorn) - 13:54 "Orange Was the Color of Her Dress, Then Blue Silk" - 13:04 "Meditations on Integration" - 22:48; Recorded at the Monterey Jazz Festival in California on September 20, 1964
In a lukewarm review, AllMusic's Bruce Eder regarded Historic Performances as a significant album when it was released, but it has become "purely of historic interest as an artifact of the time." [2] Before the Monterey Pop performance, Jimi Hendrix was a musician with success in the UK but nowhere else in the world.
Recorded Live at the Monterey Jazz Festival is a live album by saxophonist John Handy, recorded in 1965 and released in 1966. It is Handy's most famous album, [citation needed] and his debut on Columbia. The original album only features two long instrumental pieces, notable for their "free form", a peculiar use of harmonies and unusual ...
"Monterey" is a 1967 song by Eric Burdon & The Animals. The music and lyrics were composed by the group's members, Eric Burdon , John Weider , Vic Briggs , Danny McCulloch , and Barry Jenkins . The song provides an oral account of the June 1967 Monterey Pop Festival , at which the Animals performed.
Live at Monterey [1] is an album that contains the performance by the Jimi Hendrix Experience recorded at the Monterey Pop Festival on June 18, 1967. Released on October 16, 2007, it is the third Hendrix album of recordings from Monterey, following Historic Performances Recorded at the Monterey International Pop Festival (1970) and Jimi Plays Monterey (1986).
Robert Christgau declared the song a 'choice cut,' meaning a good song on an otherwise lackluster album," [84] while New Musical Express gave the cover a negative review, saying, "the long-awaited [...] [Spears'] cover of the Stones' '(I Can't Get No) Satisfaction' is a letdown".