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The most popular folk dance, however, is the lam vong (ລຳວົງ [lám.wóŋ]). It is the national dance of Laos, and versions of it exist throughout the Lao-speaking region and even Cambodia, where it is known as ramvong. A slow and graceful couples dance, the men form an inner circle and the women an outer circle, with couples dancing ...
Other traditional performance dances include the "fon dhab" or “sword dance” which is a dance display of men's martial arts. There are a number of folk dances which are popular with Lao Theung and Lao Sung groups, which have heavily adopted traditional Lao dance features.
Shadow puppetry, although not associated with dance, is an important part of Lao theatrical traditions. Various dance-drama troupes, mostly operating out of Louang Phrabang and Vientiane, continue to teach the old classical court dances and more Khmer-influenced dramas and folk dances, respectively. The dance-dramas of Laos were originally only ...
In Laos, the traditional folk music is referred to as ລຳ, lam /lám/, which refers to both the verb and noun 'dance', and is in general use in the central and southern areas of the country. In northern Laos, the regional folk music styles are referred to as ຂັບ, khap /kʰáp/ , and signifies 'to sing' or a 'song'.
The circular dance style is claimed as a traditional dance in the four countries of the region where it is often part of traditional festivities, popular celebrations and modern parties. In addition to the dominant Khmer, Lao, Malay and Thai cultures, romvong is also common among many other groups indigenous to Southeast Asia.
The traditional music of Laos has similarities with the traditional music of Thailand and Cambodia, including the names of the instruments and influences and developments. To categorize Lao music, it seems helpful to distinguish between the nonclassical folk traditions (which are presented through the ensembles and instruments used within), the ...
One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand gestures. Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are ...
Baci/Basi (Lao: ບາສີ; Thai: บายศรี, RTGS: bai si) and su kwan (Lao: ສູ່ຂວັນ; Thai: สู่ขวัญ, RTGS: su khwan; meaning "calling of the soul") is an important ceremony practised in Lao culture, [1] [2] [3] Sipsong Panna, Northern Thailand and Northeastern Thailand (Isan).