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Terza rima (/ ˌ t ɛər t s ə ˈ r iː m ə /, also US: / ˌ t ɜːr-/, [1] [2] [3] Italian: [ˈtɛrtsa ˈriːma]; lit. ' third rhyme ') is a rhyming verse form, in which the poem, or each poem-section, consists of tercets (three-line stanzas) with an interlocking three-line rhyme scheme: The last word of the second line in one tercet provides the rhyme for the first and third lines in the ...
English-language haiku is an example of an unrhymed tercet poem. A poetic triplet is a tercet in which all three lines follow the same rhyme, AAA; triplets are rather rare; they are more customarily used sparingly in verse of heroic couplets or other couplet verse, to add extraordinary emphasis. [2]
It consists of three stanzas: the first is a short envoi, followed by two seven-line stanzas. Danish poet Adam Oehlenschläger used rhyme royal in one poem in his Nordens guder. [13] In Eastern Europe, rhyme royal is extremely rare. Polish poet Adam Asnyk used it in the poem Wśród przełomu (At the breakthrough). [14]
The stanza has also been known by terms such as batch, fit, and stave. [2] The term stanza has a similar meaning to strophe, though strophe sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. [3] Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used.
The refrain must be identical with the beginning of the first line: it may be a half-line, and rhymes with the second line. It has three stanzas and its rhyme scheme is as follows: A B A R ; B A B ; A B A R ; where R is the refrain. Swinburne had published a book A Century of Roundels. [1]
The title "Stanzas" was assigned to this untitled poem originally printed in Tamerlane and Other Poems in 1827. Another poem with the title "Stanzas" was published in the Graham's Magazine in December 1845 and signed "P." It was attributed to Poe based on a copy owned by Frances Osgood, on which she had pencilled notes.
Villanelle–A poem consisting of two rhymes within five 3-line stanzas followed by a quatrain. The villanelle conveys a pleasant impression of simple spontaneity, as in Edwin Arlington Robinson’s 'The House on the Hill'. Shakespeare Sonnet 18; Sonnet–A fourteen-line poem in iambic pentameter with a prescribed rhyme scheme. Traditionally ...
There are two refrains and two repeating rhymes, with the first and third lines of the first tercet repeated alternately at the end of each subsequent stanza until the last stanza, which includes both repeated lines. The villanelle is an example of a fixed verse form.