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Venus standing in her arch.. The painting features six female figures and two male, along with a cupid, in an orange grove. The movement of the composition is from right to left, so following that direction the standard identification of the figures is as follows: At the far right, "Zephyrus, the biting wind of March, kidnaps and possesses the nymph Chloris, whom he later marries and ...
"La primavera" (concerto), the first concerto of Vivaldi's The Four Seasons "La Primavera", the first movement of Ottorino Resphighi 's Trittico Botticelliano, one of his orchestral works "Primavera", art song by Gounod
The Spring (La Primavera), by Giuseppe Arcimboldo; Spring (Alma-Tadema painting), an 1894 oil painting by Lawrence Alma-Tadema; Spring (Plastov painting), a 1954 painting by Arkady Plastov; The Spring (or La Source), a painting by Francis Picabia; Primavera (English translation: Spring), a painting by Sandro Botticelli, c. 1482
"Me Gustas Tú" is the second single from Manu Chao's second solo album, Próxima Estación: Esperanza. One of the artist's most popular songs worldwide, Its lyrics have a simple but catchy structure and are mostly in Spanish with parts of the chorus in French.
"De colores" ([Made] of Colors) is a traditional Spanish language folk song that is well known throughout the Spanish-speaking world. [1] It is widely used in the Catholic Cursillo movement and related communities such as the Great Banquet, Chrysalis Flight, Tres Días, Walk to Emmaus, and Kairos Prison Ministry.
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The screenplay was penned by Franco alongside Begoña Arostegui. [4] The Rite of Spring was produced by Lazona, Kowalski Films, Ferdydurke Films and Blizzard Films, with participation of RTVE, Canal Sur, EiTB, Movistar Plus+ and Cosmopolitan, collaboration from the Madrid regional administration, funding from ICAA and support from Agencia Andaluza de Instituciones Culturales [].
Frühlingsstimmen", Op. 410 ("Spring's Voices," or commonly "Voices of Spring"; sometimes sung in Italian as "Voci di primavera") is an orchestral waltz, with optional solo soprano voice, written in 1882 by Johann Strauss II.