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The Rose soundtrack also included one song that since its original release has become a mainstay in Midler's live repertoire, Jerry Ragovoy's despairing blues ballad "Stay With Me". The Rose peaked at #12 on Billboard's album chart in the Spring of 1980, making it Midler's bestselling album since 1973's Bette Midler.
Memphis is a musical with music by David Bryan, lyrics by Bryan and Joe DiPietro, and a book by DiPietro. The show is loosely based on the story of Memphis disc jockey Dewey Phillips , [ 1 ] one of the first white DJs to play black music in the 1950s.
Mamma Mia! The Movie Soundtrack; Mary Poppins Returns (soundtrack) Mary Poppins: Original Cast Soundtrack; Matilda the Musical (soundtrack) Mean Girls (2024 soundtrack) Moana (soundtrack) Moana 2 (soundtrack) Monty Python's The Meaning of Life (album) Moulin Rouge! Music from Baz Luhrmann's Film; Mrs. Brown, You've Got a Lovely Daughter (album ...
"The Rose" was first recorded by Bette Midler for the soundtrack of the 1979 film The Rose, in which it plays under the closing credits.However, the song was not written for the movie: Amanda McBroom recalls, "I wrote it in 1977 [or] 1978, and I sang it occasionally in clubs. ...
In fact, in recognition of the Juneteenth holiday, the Orpheum is hosting a FREE screening of the 2023 musical version of "The Color People" at 6:30 p.m. Monday, June 17. Danielle Brooks received ...
Last Action Hero (soundtrack) The Last Great Wilderness (album) Laurel and Hardy music; Lead Us Not into Temptation; Leningrad Cowboys Go America (album) Lisztomania (album) The Little Vampire (soundtrack) Live 1965: Music from Charlie Is My Darling; Love and a .45 (soundtrack) Love Me or Leave Me (Doris Day album) Love Me Tender (EP) Lullaby ...
The music industry’s biggest night is underway Sunday, as the 2025 Grammys award some of the world’s biggest artists. Beyoncé led the way with 11 Grammy nominations, a career-high, for her ...
Memphis received mostly positive reviews from critics. Justin Lowe in his review for The Hollywood Reporter called it "A film of quiet intensity and poetic imagery." [8] Rob Nelson of Variety, praised the film by saying that "(it) is a digressive, daringly experimental study of a flailing musician, magnetically played by accomplished bluesman and poet Willis Earl Beal."