Ads
related to: greatest bass lines
Search results
Results From The WOW.Com Content Network
In this clip Pino breaks down his soaring fretless line. Chicken Grease - D'Angelo (2000) Perhaps it was John Mayer who said it best when, in 2017, he attributed one of his favorite bass lines to ...
Later she said, "for 25 cents, you could get the best sound in town". [2] Kaye preferred to play melodic and syncopated lines on the bass, rather than simply covering a straightforward part. In the studio, she particularly liked to use the upper register on her bass, while a stand-up double bass would be used to cover the low end. [2]
Donald "Duck" Dunn (November 24, 1941 – May 13, 2012) [1] [2] was an American bass guitarist, session musician, record producer, and songwriter.Dunn was notable for his 1960s recordings with Booker T. & the M.G.'s and as a session bassist for Stax Records.
His instrumental approach utilized pentatonic lead lines and a then-unusual treble-rich sound ("full treble, full volume"). He was voted as the greatest bass guitar player ever in a 2011 Rolling Stone readers' poll [3] and, in 2020, the same magazine ranked him number three in its list of the "50 Greatest Bassists of All Time". [4]
James Lee Jamerson (January 29, 1936 – August 2, 1983) [1] [a] was an American bassist.He was the uncredited bassist on most of the Motown Records hits in the 1960s and early 1970s (Motown did not list session musician credits on their releases until 1971), and is now regarded as one of the greatest and most influential bass players in modern music history.
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric ...
Some pop songs borrow its chord progression, bass line, or melodic structure, a phenomenon attributed to the memorability and simplicity of the work. The Canon also shares roots with other, more significant chord progressions that lay the foundations of modern pop music. Its perceived ubiquity is itself an object of cultural discussion.
The line started as an in-joke behind the camera that Scheider tried to include it at multiple points throughout filming. Eventually, it made the cut during this scene.