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The structures of the two letters (to which Best refers) include opening greetings (1 Thessalonians 1:1a, 2 Thessalonians 1:1–2) and closing benedictions (1 Thessalonians 5:28, 2 Thessalonians 3:16d–18) which frame two, balancing, sections (AA'). In 2 Thessalonians these begin with similar successions of nine Greek words, at 1:3 and 2:13.
2 Thessalonians 2:8 ο κυριος (the LORD) – B D 2 1739 1881 Byz Irenaeus ο κυριος Ιησους (the Lord Jesus) – א A D* F G P Ψ 0278 33 81 104 365 1241 2464 latt syr cop Irenaeus lat Origen Didymus. 2 Thessalonians 2:13 θεου (God) – D* lat κυριου (Lord) – rell. 2 Thessalonians 2:13
Download as PDF; Printable version; In other projects ... IV-V-I-vi chord progression in C major: 4: Major ... 2–3: Mix. V–IV–I turnaround ...
For example, 1 Thessalonians 2:9 is almost identical to 2 Thessalonians 3:8. This has been explained in the following ways: Paul wrote 2 Thessalonians soon after writing 1 Thessalonians or with the aid of a copy of 1 Thessalonians, or Paul wrote 1 Thessalonians himself but a later writer imitated him, or the linguistic similarities are seen as ...
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
These chords are all borrowed from the key of E minor. Similarly, in minor keys, chords from the parallel major may also be "borrowed". For example, in E minor, the diatonic chord built on the fourth scale degree is IVm, or A minor. However, in practice, many songs in E minor will use IV (A major), which is borrowed from the key of E major.
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The Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 ...