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I Mario later developed the dance further, adding long instruments with inverted kettle gongs known as trompong; this form is known as kebyar trompong, though the original kebyar duduk remains I Mario's most famous creation. [3] I Mario taught his students how to dance kebyar duduk, and thus it proliferated throughout Bali. [1]
The trompong is not usually used in kebyar, as it is associated with older genres such as gamelan gong gdé. When it is used, however, it is positioned in front of the ensemble, facing the audience. Constructed similarly to reyong, it consists of 10 kettles, with a range of two octaves. It is played by only one person, and that person may be a ...
A similar type of ensemble, Gamelan Pelegongan, substitutes a pair of gendérs for the trompong as the melody carrier and plays the music for a set of dances known as legong. In mediaeval Bali (circa 1700–1906) gamelan semar pegulingan was an important part of the Balinese courts.
Bali, however, has its own techniques and styles, including kecak, a form of singing that imitates the sound of monkeys. In addition, the island is home to several unique kinds of gamelan, including the gamelan jegog , gamelan gong gede , gamelan gambang , gamelan selunding and gamelan semar pegulingan , the cremation music angklung and the ...
This page was last edited on 15 January 2025, at 15:30 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Meanwhile, in terms of entertainment, Balinese Gamelan is often presented as a musical performance as well as accompaniment to various arts that are entertainment in Bali. Gamelan in Bali known as gambelan is commonly used in traditional ritual processions such as death ceremonies which we know as the Ngaben tradition.