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The later Hōjō clan of the Sengoku jidai from the manga and anime of Inuyasha, and the second movie Inuyasha the Movie: The Castle Beyond the Looking Glass. The Hojo/Houjou clan is a house/clan in AliceSoft's 7th game in the Rance series, Sengoku Rance. The Hojo clan's logo/symbol was the inspiration for the Legend of Zelda series' Triforce logo.
The first Inuyasha anime adaptation, sometimes known as Inuyasha: A Feudal Fairy Tale (戦国御伽草子 犬夜叉, Sengoku Otogizōshi Inuyasha), produced by Sunrise, was broadcast for 167 episodes on Yomiuri TV and Nippon TV from October 16, 2000, to September 13, 2004.
The Takeda clan in feudal Japan is in the manga and the anime of Inuyasha. Takeda Shingen and his peasant doppelgänger are the main subjects of Kagemusha, directed by Akira Kurosawa. The character Miku Nakano from the anime and manga series The Quintessential Quintuplets is shown to have an obsession with Takeda Shingen.
The “Inuyasha” franchise first started as a critically acclaimed manga series, for which the English version was featured regularly on The New York Times Bestsellers list throughout the 2000s.
Japanese production company Sunrise is to revive the iconic “Inuyasha” anime franchise and deliver a series “Yashahime: Princess Half-Demon.” Viz Media has come on board to handle digital ...
Inuyasha (Japanese: 犬夜叉) is the central fictional character from the manga series Inuyasha, created by Rumiko Takahashi. He is a half-demon, half-human from the Sengoku period of Japan. He later appeared in the anime sequel series Yashahime .
The episodes of the Japanese anime television series Inuyasha are based on the first 36 volumes for Rumiko Takahashi's manga series. [1] It follows an eponymous half-demon and a high school girl Kagome Higurashi on a journey, alongside their friends, a young fox demon, Shippo; a lecherous monk, Miroku; a demon slayer, Sango; and a demon cat, Kirara, to obtain the fragments of the shattered ...
A Man, a Blade, an Empty Road: Postwar Samurai Film to 1970 by Allen White, this article discusses specific chanbara films, their distinction from regular jidai-geki, and the evolution of the genre. Gerow, Aaron, ed. (2012). "The Sword and The Screen: The Japanese Period Film 1915-1960". Film Series Commentaries. Yale University Council on East ...